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Krzysztof wodiczko biography books

          Wodiczko's books include Critical Vehicles: Writings, Projects, Interviews published by MIT Press (), a large monograph of his works titled Krzysztof Wodiczko (), September City of Refuge (), The Abolition of War() by Black Dog Publishing, London, followed by expanded Polish edition under the title.!

          Critical Vehicles: Writings, Projects, InterviewsCritical Vehicles: Writings, Projects, Interviews · Anton van Dalen: Community of.

        1. Follow Krzysztof Wodiczko and explore their bibliography from 's Krzysztof Wodiczko Author Page.
        2. Wodiczko's books include Critical Vehicles: Writings, Projects, Interviews published by MIT Press (), a large monograph of his works titled Krzysztof Wodiczko (), September City of Refuge (), The Abolition of War() by Black Dog Publishing, London, followed by expanded Polish edition under the title.
        3. Born in Warsaw, visual artist working in photography and video art, art theoretician.
        4. Among most important, authored by Krzysztof Wodiczko, books are a collection of his writings titled Critical Vehicles published by MIT Press (), a.
        5. Krzysztof Wodiczko

          Polish artist (born )

          Krzysztof Wodiczko

          Wodiczko in

          Born (age&#;81&#;82)

          Warsaw, Poland

          Occupation(s)Industrial designer, tactical media artist
          Years&#;active–present

          Krzysztof Wodiczko (born April 16, ) is a Polish artist known for his large-scale slide and video projections on architectural facades and monuments.

          He has realized more than 80 such public projections in Australia, Austria, Canada, England, Germany, Holland, Ireland, Israel, Italy, Japan, Mexico, Poland, Spain, Switzerland, and the United States.

          War, conflict, trauma, memory, and communication in the public sphere are some of the major themes of his work.

          His practice, known as Interrogative Design, combines art and technology as a critical design practice in order to highlight marginal social communities and add legitimacy to cultural issues that are often given little design attention.[1]

          He lives and works in New York City and teaches in Cambr