Marlon brando godfather photos
View of American actor Marlon Brando in costume as he holds a cat on the set of the film 'The Godfather',
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Unseen photos from the set of The Godfather, 1971
Producer Albert S. Ruddy confers with Marlon Brando on set.
By almost any account, the Godfather films are monuments on the landscape of American cinema.
There are, of course, differences of intention and achievement among the three, but the first one, The Godfather (1972), stands out in popular and critical opinion as one of the enduring works of the American cinema.
The standing of The Godfather Part II (1974), nearly comparable to the fist, lies not only in its art, but in its outlook, so rare in American films from the early 1970s, on a flawed American protagonist as an emblem of the American empire.
The Godfather Part II brings out the theme of redemption present in Coppola’s vision from the start.
It is natural to regard these films as a trilogy to deal with the continuity of a directorial vision of the century-long working through of economic crime and punishment in the inner sanctum of an American dynasty.
As a commerc
